A Christmas Carol a Charles Dickens classic
Scrooge (1935) [Drama] [Fantasy] [Christmas]“Scrooge” is a 1935 British film directed by Henry Edwards featuring Seymour Hicks as Ebenezer Scrooge, the miser who hates Christmas. It was the first sound version of the Charles Dickens classic A Christmas Carol, not counting a 1928 short subject that now appears to be lost. Hicks had played the role of Scrooge on the stage many times beginning in 1901, and again in a 1913 British silent film version. The 1935 film differs from all other versions of the story in one significant way – most of the ghosts, including that of Jacob Marley, are not actually shown onscreen, although their voices are heard. Only the Ghost of Christmas Present (Oscar Asche) is actually seen in full figure – the Ghost of Christmas Past is a mere shape with no discernible facial features, Marley’s Ghost is seen only briefly as a face on the door knocker, and the Ghost of Christmas Yet to Come is just an outstretched pointing finger.
Scrooge (1935) [Drama] [Fantasy] [Christmas]
Others versions of the film: A Christmas Carol Scrooge 1951 Full Movie
Miracle on 34th StreetMiracle on 34th Street (initially released in the United Kingdom as The Big Heart) is a 1947 Christmas comedy-drama film written and directed by George Seaton and based on a story by Valentine Davies. It stars Maureen O’Hara, John Payne, Natalie Wood and Edmund Gwenn. The story takes place between Thanksgiving Day and Christmas Day in New York City, and focuses on the impact of a department store Santa Claus who claims to be the real Santa. The film has become a perennial Christmas favorite. This video quality is not the best, so try your local cable listings this Christmas.
Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman’s Agreement. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.